Like Esty, Deborah was brought up in the Satmar community and had to follow strict guidelines including what she wore and where she was allowed to go.īut broader details about the community and the members itself aren't shown in the series. Why details about Deborah's life in an Orthodox Jewish community were left out. It made me admire her," she told Metro.ĭeborah also told The New York Timesthat she is jealous of Esty's confrontation and she hopes "that other people will see that scene and want to be like her, too". It really touched me, and it made me wish I had been the same way. I had many small moments where I tried to express myself, and I tried to speak up for myself, but I love how she just lets it all out. It's a moment Deborah wishes she got to have in real life.
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There is a moment near the end of the series where Esty confronts her husband in his Berlin hotel room.
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While she was there she took up writing classes and learnt how to drive.įive years later she decided to leaver her husband and move to Berlin with her son. But it wasn’t until the eve of Deborah’s 23rd birthday, that she finally left her marriage and religion for good with her three-year-old son.įirst Deborah moved with her husband to an Orthodox community in Rockland County in New York, where the rules were a bit more relaxed. In Unorthodox, Esty leaves her husband and flees to Berlin when she was 19 and pregnant. Deborah didn’t flee to Berlin when she was 19 and pregnant. Here are five differences between Netflix series Unorthodox and the real life story it was based on. It’s a privilege to be working with these two brilliant women.Deborah and her on-screen counterpart Esty (played by Shira Haas) both grew up in the Satmar community, which was founded by Holocaust survivors after World War II on the belief that Hitler’s extermination of the Jews was God’s punishment for European Jewish assimilation.īut while the series is loosely based on Deborah’s memoir, there are some details that were changed and even left out entirely.
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With Alexa, we have found the perfect writer to adapt the material – not only does she know Berlin intimately, but her writing is full of emotion and tension and is the perfect complement to Calla’s narrative. Calla’s evocation of Berlin in 2009 is full of humor and insight combined with a dark, twisted narrative which had us gripped from page 1. Producer Pattinson added: “We are completely delighted to be working with Calla and Alexa to bring this compelling and propulsive novel to life. Also in the London office is Bonnie-Chance Roberts, who was previously Head of Film for Monumental Pictures.īerlin-based American artist and playwright Calla Henkel said: “I am extremely excited about partnering with Mark Gordon to create the deranged world of Other People’s Clothes for the screen, and I can’t wait to see these girls come to life in all their dark sparking intensity.” The company’s London office is headed by Beth Pattinson, who previously worked at Independent Talent, BBC Films, Amazon (where she headed development of European original dramas), Blueprint and Cuba Films & TV. Movie credits include Saving Private Ryan, Murder On The Orient Express, 2012, The Day After Tomorrow, and many others.
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His long track record as a hit-making producer includes TV shows such as Grey’s Anatomy, Ray Donovan and Criminal Minds, and for eOne Designated Survivor and the Nathan Fillion-starrer The Rookie. Gordon exited as president of eOne in 2019. The firm has bases in LA, New York and London. Mark Gordon Pictures Sets Beanie Feldstein, Michaela Jaé Rodriguez, Kat Dennings, Jameela Jamil And Lolly Adefope To Star In Anthology TV SeriesĮxecutive producers will be Beth Pattinson and Mark Gordon for Mark Gordon Pictures, and Danny Davids.Īs we first revealed, producer Gordon launched eOne-backed Mark Gordon Pictures last year.